25/08/2009
In a society often built on unspoken assumptions and historical silences, the act of speaking out can be a monumental undertaking, particularly for those who have experienced profound trauma. Karine Dusfour's documentary, "Qui ne dit mot ne consent pas" (He Who Says Nothing Consents Not), thrusts this critical issue into the spotlight, exploring the intricate nuances of consent, particularly when it involves minors and adults in positions of authority. The film, airing on France 2, is more than just a viewing experience; it's an invitation to confront uncomfortable truths and to foster a culture where victims feel empowered to break their silence.

- The Weight of Silence and the Question of Consent
- Centering the Victim's Narrative
- Personal Testimonies: Echoes of Abuse
- Shifting Perspectives and Encouraging Action
- The Importance of Explicit Consent
- FAQ: Understanding the Issues
- What is the main message of the documentary "Qui ne dit mot ne consent pas"?
- Why is it important for victims to share their stories?
- What is the significance of the title?
- How does the documentary address the issue of adolescent consent?
- What legal changes have been influenced by discussions around these issues?
- Conclusion: A Call to Awareness and Action
The Weight of Silence and the Question of Consent
The documentary's title itself, "Qui ne dit mot ne consent pas," directly confronts a deeply ingrained societal misconception: that silence equates to agreement. This is powerfully echoed in Vanessa Springora's impactful book, "Le Consentement," which serves as a philosophical cornerstone for Dusfour's cinematic exploration. The central question the film grapples with is profound: "How can we admit we've been abused when we can't deny having consented?" This question highlights the psychological labyrinth victims often find themselves in, where the lines between coercion, manipulation, and genuine consent become blurred, especially during the formative years of adolescence.
Dusfour, a seasoned documentarian with a history of tackling sensitive subjects like sexual violence and its judicial aftermath, continues her vital work. Her previous films, "Viol, double peine" (2012) and "Viols sur mineurs: mon combat contre l’oubli" (2017), laid the groundwork for this latest investigation. By focusing on the difficulty children face in revealing abuse, as seen in "Bouche cousue" (2020), she demonstrates a commitment to amplifying the voices that are too often silenced. "Qui ne dit mot ne consent pas" zeroes in on the supposed consent of minors who are victims of sexual violence, posing the crucial question: Do children truly possess the agency to say 'no' to an adult?
Centering the Victim's Narrative
The documentary's strength lies in its unwavering dedication to placing the victim's perspective at the forefront. As director Karine Dusfour explains, "We always question the adolescent's attitude; it was therefore important for me to let their version of the story be heard, to place their words at the centre of the frame." This approach directly challenges the societal tendency to scrutinize the victim's behaviour rather than the perpetrator's actions. Dusfour is inspired by Springora's poignant observation: "It was not my attraction that needed to be questioned, but his." This reframing is essential for understanding the power dynamics at play in abusive relationships.
The film meticulously unravels the passage of time, illustrating how what may have initially been perceived as a consensual relationship or an innocent connection can, in retrospect, reveal itself as a sustained pattern of destructive violence. Through the testimonies of six individuals who recount their relationships with adults when they were between the ages of 8 and 14, the documentary provides raw and unflinching accounts of their experiences.
Personal Testimonies: Echoes of Abuse
The personal stories shared within the documentary are both harrowing and illuminating. Audrey, who was violated at the age of 14 by her equestrian coach, recounts the insidious way abuse can be normalised: "They explain to me that it's normal, so I believe it. Because it's someone I trust." This sentiment underscores the profound betrayal of trust that lies at the heart of such abuse. Similarly, Nicolas, who was sexually assaulted from the age of 8 by a swimming pool manager, grapples with the repercussions during the 2019 trial against his abuser, questioning, "Am I not betraying him?" This internal conflict highlights the long-lasting psychological impact and the difficulty victims face in reconciling their past experiences with present-day justice.
Anouk's story adds another layer to this complex narrative. At 14, she was coerced into sexual relations by her history and geography teacher, who showered her with ostentatious attention and "unbelievable praise." Anouk recalls her obsession with feeling special, a common tactic used by abusers to groom their victims. "Everyone around me thought it was great, so I couldn't complain," she remembers. This highlights how the external validation from a seemingly approving environment can further isolate and silence a victim. Francesca Gee, an ex-journalist and author of "L’Arme la plus meurtrière," whose own experience with Gabriel Matzneff mirrors that of Springora, also contributes to this theme, noting the pervasive societal blindness to such abuses.
Shifting Perspectives and Encouraging Action
The overarching goal of "Qui ne dit mot ne consent pas" is to instigate a collective shift in perspective. Dusfour emphasizes the need to "get on the level of adolescents, to observe the signs." By doing so, the documentary serves as a powerful encouragement for victims to speak out, aiming to rebalance the scales of fear and shame. The film demonstrates the ripple effect of such courage; Dusfour notes that after seeing "La Consolation," a television film about Flavie Flament's story, and her own documentary, figure skater Sarah Abitbol agreed to speak. Crucially, it was hearing Abitbol's testimony that prompted Audrey to share her own story with Dusfour.
The documentary arrives at a pivotal moment, following the public awareness generated by the works of Vanessa Springora and Camille Kouchner ("La Familia grande"). This increased societal consciousness has contributed to legislative changes, with a law passed on April 15th establishing an automatic threshold of non-consent at 15 years of age. This legal development underscores the growing recognition of the need for clearer boundaries and stronger protections for minors.

The Importance of Explicit Consent
The documentary implicitly and explicitly reinforces the fundamental importance of asking for consent. As the provided text states, "Asking for an individual's consent gives them the opportunity to express their opinion, their point of view, and their preferences." When an action is proposed by a third party and then carried out by an individual, it is only with their consent that they truly own that action and express their autonomy. This principle is paramount in all interactions, but it takes on an even greater significance in contexts involving potential power imbalances and the vulnerability of minors.
FAQ: Understanding the Issues
What is the main message of the documentary "Qui ne dit mot ne consent pas"?
The main message is that silence does not equate to consent, especially in cases of sexual abuse involving minors. The film aims to empower victims to speak out and challenges societal perceptions that often scrutinize victims rather than perpetrators.
Sharing stories helps to break the cycle of abuse, raises awareness, and can lead to societal and legal changes. It also allows victims to reclaim their narrative and can be a crucial step in their healing process. As seen in the film, one person's courage can inspire another.
What is the significance of the title?
The title, "Qui ne dit mot ne consent pas," directly translates to "He Who Says Nothing Consents Not." It highlights the central theme that a lack of objection should not be interpreted as agreement, particularly in situations where coercion or manipulation may be present.
How does the documentary address the issue of adolescent consent?
The documentary explores the complexities surrounding adolescent consent, questioning whether minors truly have the capacity to consent to sexual activity with adults, given the inherent power imbalances and potential for manipulation. It emphasizes understanding the adolescent's perspective and observing the subtle signs of abuse.
What legal changes have been influenced by discussions around these issues?
The film and related public discourse have contributed to legislative changes, such as the law establishing an automatic threshold of non-consent at 15 years of age in France, reflecting a growing societal understanding and legal recognition of the need to protect minors.
Conclusion: A Call to Awareness and Action
"Qui ne dit mot ne consent pas" is a powerful and necessary film that courageously confronts the devastating reality of sexual abuse against minors. By giving a platform to survivors and challenging ingrained societal norms, Karine Dusfour's documentary serves as a vital tool for education and change. It urges us to listen, to observe, and to understand that the absence of a spoken 'no' is not an invitation for violation. It is a call to arms for a society that must do better in protecting its most vulnerable and ensuring that the voices of survivors are not only heard but believed. The impact of truth, when finally spoken, can be transformative, paving the way for healing and a more just future.
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