The 'Forbidden Word' in French Education

13/09/2020

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In the realm of French primary education, innovative teaching methods are constantly sought to engage young minds and foster a deeper understanding of literature and language. One such method involves the use of the book 'Le mot interdit' (The Forbidden Word) by Nicolas de Hirsching. This engaging narrative serves as a powerful tool for educators looking to develop crucial reading comprehension, phonological awareness, and even introduce concepts akin to detective work and journalistic investigation. This article delves into the pedagogical approach surrounding this popular text, exploring its strengths, how it's implemented in the classroom, and why it resonates so well with students.

Qu'est-ce que Nicolas de Hirsching a interdit ?
En période 4, nous avons donc découvert l’histoire de Nicolas de Hirsching, Le mot interdit. Je vous propose d’en découvrir l’exploitation que nous en avons faite. Ses parents lui ont interdit de téléphoner en leur absence, mais Thierry n’est ni très sage, ni très obéissant.
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The Story of 'Le mot interdit'

At its core, 'Le mot interdit' tells the story of Thierry Valleteau, a young boy who is forbidden by his parents from using the telephone when they are not home. As is often the case with youthful curiosity and a touch of mischief, Thierry doesn't always adhere to the rules. During one such escapade, he makes a prank call that inadvertently connects him with a mysterious organisation. This organisation offers free gifts daily, but with a peculiar condition: Thierry must avoid pronouncing any words ending in "EUR". The plot thickens when Thierry, perhaps distracted or simply forgetting the rule, slips up, leading to unforeseen consequences and a cascade of trouble.

Why 'Le mot interdit' Captivates Students

The success of 'Le mot interdit' in the classroom can be attributed to several key factors, primarily its relatable protagonist. Thierry Valleteau, a boy of similar age to the students, engages in behaviours they might recognise – disobedience, making mischief, and exploring the boundaries set by adults. This relatability allows students to connect with the character on a personal level, making the narrative more immersive and their engagement more genuine. They see a reflection of themselves, which naturally sparks their interest.

Beyond the character of Thierry, the novel's conceptual framework is equally compelling. The introduction of the fictional planet Tixar injects a dose of fantasy that appeals to children's imagination. More importantly, at this stage of their educational journey, students are developing their phonological awareness, their ability to recognise sounds in spoken language. They can therefore begin to discern that the voice on the telephone is attempting to trick Thierry, and that Thierry himself is falling into the trap. This element transforms the reading experience into a form of investigation, much like young detectives piecing together clues. The narrative structure, with its unfolding mystery and Thierry's 'investigation' to recover a missing object, draws parallels to the detective novel genre, further enhancing its appeal and educational value.

Pedagogical Exploitation: A Multifaceted Approach

The versatility of 'Le mot interdit' allows educators to employ a wide range of teaching strategies. The text can serve as a springboard for:

  • Creative Writing: Encouraging students to write their own continuations or alternative endings to the story.
  • Phonological Work: Focusing specifically on the target sound "EUR" and its variations, as highlighted in the book's central conflict.
  • Documentary Exploration: Integrating historical and technological aspects by creating a documentary about the invention of the telephone, potentially linking it to broader curriculum topics.

Classroom Implementation: A Sample Sequence

A typical teaching sequence for 'Le mot interdit' might unfold as follows:

Session 1: Introduction to the Novel

The initial session often begins by tapping into students' prior knowledge and fostering their predictive skills. This involves:

  • Cover Analysis: Presenting the book cover and encouraging detailed observation. Students identify key information such as the title, author, illustrator, and publisher.
  • Hypothesis Generation: Students are prompted to make predictions about the story based on the cover illustration, often focusing on visual cues while initially overlooking the title. This activity encourages oral participation, especially for students who may struggle with reading, and can also serve as a basis for research tasks.
  • First Chapter Exploration: The first chapter is read, first silently by students individually, and then collectively through oral reading. The teacher pauses at intervals to ask comprehension questions, clarify vocabulary, and ensure understanding. Following the reading, students are asked to provide a brief summary, either orally or in writing, catering to different learning needs and abilities.

Sessions 2 and Beyond: Deepening Comprehension

Subsequent sessions typically focus on one chapter per 45-minute period, allowing ample time for exploration and exploitation. Each session follows a structured pattern:

  • Recap and Launch: The session begins with a brief review of the previous session's content. Questions like "What did we learn last time?", "Who are the characters?", and "What happened?" help to refresh students' memory and set the context.
  • Reading and Comprehension: This phase includes individual silent reading, followed by a collective oral reading. For advanced readers, teachers might suggest re-reading the chapter, looking up unknown vocabulary in a dictionary, or preparing questions to ask their peers. This differentiation is crucial for catering to diverse learning paces. Similarly, for struggling readers, peer tutoring can be implemented, where stronger readers assist their peers, fostering both academic and social skills.
  • Vocabulary and Comprehension Checks: During the collective oral reading, the teacher continues to pause for clarification of potentially difficult vocabulary (though 'Le mot interdit' generally has accessible language) and asks comprehension questions on specific passages or paragraphs.
  • Consolidation: After the entire chapter is read, a final read-through might occur without pauses, with students taking turns reading sentences. The session concludes with students posing comprehension questions to their peers about the chapter, or writing a short summary on their mini-whiteboards.

A particularly effective strategy involves student-led questioning. One student asks a question, then passes the turn to another student to answer. The questioner then validates the answer. If the answer is incorrect or incomplete, the student who asked the question prompts another classmate to respond until the correct answer is provided. This method ensures active listening and encourages students to articulate their thoughts clearly.

Final Session: Culmination and Extension

The concluding session offers flexibility and can be tailored to various learning objectives. Options include:

  • Creative Writing Tasks: Students can write the sequel to the story, perhaps exploring what happens if Thierry's parents discover his secret, or detailing the consequences if he hadn't returned the borrowed items.
  • Comprehension Activities: Students can create their own comprehension questions for the text, taking on the role of the teacher, either individually or in groups. Alternatively, a more traditional question-and-answer format can be used, where students must find textual evidence to support their answers, although this approach is noted as less favoured by the educator.
  • Themed Session: A standalone session dedicated to the theme of the telephone, potentially incorporating a documentary such as "Le téléphone a plus de 100 ans!" (The Telephone is Over 100 Years Old!), which is often included in the textbook series.

Supporting Documents

The primary document associated with this teaching sequence, as highlighted by the educator, is the questionnaire for the documentary "Le téléphone a plus de 100 ans!". This underscores the textbook's strength in incorporating diverse text types, enriching the learning experience beyond narrative fiction. The inclusion of such a documentary allows for a cross-curricular approach, linking literature with history and technology, and providing students with a broader context for the story's central element – the telephone.

Key Takeaways

The pedagogical approach to 'Le mot interdit' exemplifies a modern, student-centred method of teaching literature. By leveraging a relatable character, an intriguing plot, and a focus on developing essential language skills, educators can create a dynamic and effective learning environment. The emphasis on active learning, peer interaction, and differentiated instruction ensures that all students can engage with the material and benefit from the rich learning opportunities it presents. The integration of phonological awareness through the 'forbidden word' concept and the extension into historical context via the telephone documentary further solidify its value as a comprehensive educational resource.

Quels sont les Poèmes interdits ?
Les poèmes interdits ont fait l’objet d’une réédition, en 2005, aux Editions Complexe, avec des illustrations de Gabriel Lefebvre et une préface de Philippe Sollers — L’érotisme de Baudelaire — dont vous pouvez lire de larges extraits ici. Qu’ont dans leurs jours heureux les esclaves des Mores. Les choses où le son se mêle à la lumière.

Frequently Asked Questions

Q1: What is the main rule Thierry must follow in 'Le mot interdit'?

Thierry must avoid pronouncing any words that end with the sound "EUR".

Q2: Why is the character Thierry popular with students?

Thierry is popular because he is a young boy of a similar age to the students, who makes mistakes and disobeys his parents, making him relatable and approachable.

Q3: What other skills can be developed using this book?

Besides reading comprehension, students can develop phonological awareness, creative writing skills, and even investigative thinking, drawing parallels to detective stories.

Q4: What kind of activities are suggested for the final session?

Activities can include writing a sequel, creating comprehension questions, or engaging in a session focused on the history of the telephone.

Q5: What is the significance of the 'forbidden word' in the story?

The 'forbidden word' is central to the plot, acting as the condition imposed by a mysterious organisation and leading to the story's conflict when Thierry fails to adhere to it.

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