15/03/2016
In the vibrant tapestry of late 1970s British music, a curious and charming novelty song emerged from the airwaves, capturing the hearts of the nation with its unique narrative and distinctive vocal performances. This was 'Car 67' by Driver 67, a track that transcended the typical pop fare to tell a compelling, albeit fictional, story of a taxi driver's personal woes. Released in November 1978, it quickly established itself as more than just a fleeting novelty, embarking on a twelve-week journey through the fiercely competitive UK Singles Chart, ultimately peaking at an impressive No. 7 in February 1979.

At its core, 'Car 67' is a poignant ballad, ingeniously structured around the unfolding drama within a taxi cab. The song revolves around a cab driver, whose heart is heavy after a recent split from his girlfriend. The narrative tension builds as he communicates with his taxi controller, steadfastly refusing a specific pick-up at 83 Royal Gardens. Unbeknownst to the controller, the passenger awaiting at this address is none other than the very woman who broke his heart the day before. The song's arrangement is masterful, interspersing the taxi driver's sung lyrics with the spoken interjections of the taxi controller, whose unmistakable West Midlands accent adds an authentic and memorable touch to the track. This dual vocal approach not only drives the plot forward but also creates an intimate, almost voyeuristic, listening experience for the audience.
The Genesis of Driver 67: From Tax Loss to Chart Success
The creative force behind Driver 67 was Paul Phillips, who, alongside his brother-in-law Pete Zorn, had formed the band Tax Loss in 1976. This period was ripe with musical experimentation, and Phillips, a taxi driver himself at the time, found inspiration in his day-to-day life. He often humorously described his cabbie skills as being 'so bad as a cabbie, I never earned enough to pay the rent on the radio,' a testament to his humble beginnings and perhaps the very conditions that allowed his creative mind to wander.
It was in 1978 that Tax Loss signed with Logo Records, a significant step that set the stage for 'Car 67.' While negotiating a deal for a full album, Phillips penned 'Car 67' with remarkable speed, reportedly within minutes. This rapid creation speaks volumes about the immediate and personal connection Phillips had with the song's concept. He quickly recorded a demo, which he then presented to Zorn. Zorn, with his keen musical ear, immediately recognised its potential but suggested it was 'missing a middle eight' – a crucial bridge section that could elevate the song further. Together, they collaborated to craft this missing piece, refining what would become a timeless classic.
Phillips then presented the completed song to Logo Records, initially envisioning it as a mere side project. However, the record company was immensely enthusiastic about 'Car 67,' recognising its unique appeal and commercial potential. Their eagerness led to a specific agreement in September of that year: Phillips negotiated a three-month deal for the single release of 'Car 67.' This strategic move provided Logo with an option to secure the band for a full album, provided they exercised this option within the stipulated three-month period. This demonstrates the label's confidence in the single's ability to pave the way for a broader musical venture.
From Studio to Stardom: The Recording and Promotion of a Hit
The recording of 'Car 67' was a relatively modest affair, completed for a lean budget of just £800. This economical production underscores the raw talent and compelling concept that defined the song, proving that a chart-topping hit didn't always require lavish studio expenditure. Upon its release in November 1978, the focus shifted to promotion, a critical phase for any new single aiming to make an impact on the competitive UK charts.
Phillips took a proactive approach to promote the single, offering a song plugger the publishing rights to the B-side, 'Communications Breakdown.' This proved to be a shrewd financial move, as those rights eventually amounted to a substantial £10,000 – a clear indication of the song's unexpected success and lasting value. Initially, the plugger was described as 'slow off the mark,' leading to a quiet few weeks for the single. Undeterred, Phillips personally tracked down the plugger, urging them to intensify their efforts. His persistence paid off handsomely; within just two weeks of this renewed push, 'Car 67' achieved a coveted spot as 'Song of the Week' on BBC Radio 1's immensely popular Kid Jensen Show. This exposure on national radio was a pivotal moment, transforming the song's trajectory and bringing it to a vast audience across the United Kingdom.
The momentum continued to build, culminating in a memorable performance by Driver 67 on the iconic television show, Top of the Pops, in February 1979. This appearance was particularly unique, as Paul Phillips ingeniously played both roles from the song: the taxi driver, depicted via pre-recorded video clips, and the switchboard operator, performed live in the studio. This innovative presentation not only captivated viewers but also significantly amplified the song's appeal. The immediate aftermath was staggering: daily orders for the single skyrocketed from 5,000 to an astounding 20,000, and soon thereafter, an incredible 120,000 orders flooded in.
The Unfortunate Chart Blunder: A Missed Opportunity
Despite the overwhelming demand and the song's clear popularity, a significant and frustrating setback occurred. The record company, despite the massive surge in orders, tragically failed to press enough copies of the single to meet the unprecedented demand. This critical oversight meant that only a fraction of the 120,000 orders actually made it into shops. This logistical bottleneck had a perverse effect on the chart performance; instead of climbing higher, the single actually dropped in position on the chart, a bitter irony given its immense popularity. Had the record company been able to fulfil the orders, 'Car 67' would undoubtedly have soared much higher, potentially reaching the top 3 of the singles chart. This unfortunate episode serves as a stark reminder of how even a hugely popular song can be hindered by issues beyond the artists' control.
'Car 67': A Lasting Legacy
'Car 67' spent a remarkable twelve weeks on the UK Singles Chart, a testament to its enduring appeal and the public's fascination with its unique storytelling. Its peak position of No. 7, achieved in February 1979, solidified its place in British music history as a beloved novelty hit. The song's charm lay not only in its clever narrative and catchy melody but also in its relatable theme of heartbreak and the everyday setting of a taxi driver's life.
Decades later, 'Car 67' remains a recognisable and fondly remembered tune, often featured on retro radio shows and compilation albums. It stands as a quirky yet significant example of how a simple, well-told story, combined with distinctive vocal performances and a touch of everyday realism, can resonate deeply with an audience and achieve widespread success. The song's legacy is not just about its chart performance, but also about the indelible mark it left as a unique piece of British popular culture, a charming snapshot of the late 1970s.
Key Milestones in the Journey of 'Car 67'
| Date/Period | Event | Significance |
|---|---|---|
| 1976 | Tax Loss formed | Paul Phillips and Pete Zorn begin their musical collaboration, laying the groundwork for future projects. |
| 1978 (pre-Sept) | 'Car 67' written | Paul Phillips, drawing on his experience as a taxi driver, quickly pens the unique novelty song. |
| September 1978 | Deal with Logo Records | A crucial three-month single deal for 'Car 67' is secured, with an option for a full album. |
| November 1978 | 'Car 67' released | The distinctive novelty song officially makes its debut, beginning its chart journey. |
| Early 1979 | BBC Radio 1 Airplay | After initial struggles, the song gains significant national exposure on the popular Kid Jensen Show. |
| February 1979 | Top of the Pops Performance | Driver 67's innovative performance on the iconic show sparks a massive surge in public demand. |
| February 1979 | Peak Chart Position (No. 7) | Despite immense popularity, chart position is limited by the record company's failure to press enough copies. |
| Late 1978 - Early 1979 | 12 weeks on UK Singles Chart | A testament to the song's enduring appeal and its solid place within the British music landscape. |
Frequently Asked Questions About 'Car 67'
When was 'Car 67' by Driver 67 released?
'Car 67' was officially released in November 1978.
Who was 'Driver 67'?
'Driver 67' was the musical alias for Paul Phillips, who was indeed a taxi driver at the time he wrote the song. He formed the group Tax Loss with his brother-in-law Pete Zorn.
What is the story behind the song 'Car 67'?
The song is a ballad about a taxi driver who had recently broken up with his girlfriend. The central plot revolves around him refusing to accept a particular pick-up at 83 Royal Gardens because the passenger, unbeknownst to his controller, is his ex-girlfriend. The song is arranged as a conversation, with the taxi driver singing his part and the controller's voice interjecting.
How well did 'Car 67' perform on the UK Singles Chart?
'Car 67' spent a total of twelve weeks on the UK Singles Chart. It reached its highest position, No. 7, in February 1979.
Why didn't 'Car 67' reach a higher chart position despite its popularity?
Despite receiving massive orders, including a peak of 120,000 daily requests after its Top of the Pops appearance, the record company failed to press enough copies of the single. This inability to meet demand meant that only a fraction of the ordered copies reached shops, causing the single to actually drop in chart position at a time when it should have been climbing even higher.
What was unique about the song's arrangement and vocals?
The song's unique arrangement features the taxi driver singing the lyrics, which are interspersed with the spoken voice of the taxi controller. The controller's voice is notable for its distinctive West Midlands accent, adding a layer of authenticity and character to the narrative.
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